Détails
Collection
n.c
Parution
2024-02-22
Pages
246 pages
EAN papier
9783031242236
Langue
Anglais
Informations ebook
EAN PDF
9783031242243
Prix
122,51 €
En savoir plus
Nb pages copiables 2
Nb pages imprimables 24
Taille du fichier 5110 Ko
EAN EPUB
9783031242243
Prix
122,51 €
En savoir plus
Nb pages copiables 2
Nb pages imprimables 24
Taille du fichier 7680 Ko
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Auteur(s) du livre


M. Tyler Sasser is Assistant Professor of Honors at the University of Alabama, USA, where he teaches several courses on early modern literature, children’s literature, and film. Sasser’s research appears in Medieval and Renaissance Drama in EnglandShakespeare NewsletterShakespeare BulletinThe Tennessee Williams Annual ReviewChildren’s LiteratureChildren’s Literature Association Quarterly, and Children’s Literature in Education. He has contributed recent chapters to Shakespeare and Millennial Fiction (2017), Queering Childhood in Early Modern English Drama and Culture (2018), Shakespeare and Geek Culture (2020), and Liberating Shakespeare: AdaptationTrauma and Empowerment for Young Adult Audiences (2023). In 2018, Sasser co-organized “Teaching Shakespeare in and beyond the Classroom” for the Hudson Strode Program in Renaissance Studies at the University of Alabama, a 2-day conference focused on teaching Shakespeare to non-English majors.

Emma K. Atwood is Associate Professor of English at the University of Montevallo, USA – Alabama’s only public liberal arts college. She teaches courses on Shakespeare and contemporary society, early modern drama, early modern poetry, and Renaissance women and gender. Atwood’s research interests include Shakespeare, pedagogy, spatial dramaturgy, performance theory, and women, gender, and sexuality. She has published articles in Comparative Drama, the Journal of Medieval and Early Modern StudiesEarly Modern Women: An Interdisciplinary JournalBorrowers and Lenders, and This Rough Magic. She is an editor of the forthcoming digital critical edition of The Court and Kitchin of Elizabeth Cromwell, an associate of the Shakespeare and Dance project, and has contributed to public-facing scholarship with the American Shakespeare Center and JSTOR Daily.

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