Optic Antics

The Cinema of Ken Jacobs

Paul Arthur, David E. James, Michele Pierson

Oxford University Press
Date de publication : 2011-04-19

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Ken Jacobs has been making cinema for more than fifty years. Along with over thirty film and video works, he has created an array of shadow plays, sound pieces, installations, and magic lantern and film performances that have transformed how we look at and think about moving images. He is part of the permanent collections at MoMA and the Whitney, and his work has been celebrated in Europe and the U.S. While his importance is well-recognized, this is the first volume dedicated entirely to him. It includes essays by prominent film scholars along with photographs and personal pieces from artists and critics, all of which testify to the extraordinary variety and influence of his accomplishments. Anyone interested in cinema or experimental arts will be well-rewarded by a greater acquaintance with the genius, the innovation, and the optical antics of Ken Jacobs.

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Détails

Auteur

Paul Arthur , David E. James , Michele Pierson

Marque

Oxford University Press

Collection

n.c

Parution

2011-04-19

Pages

n.c

EAN papier

9780195384987

Langue

Anglais

Informations ebook

EAN PDF

9780199739561

Prix

22,14 €

Nb pages copiables 0

Nb pages imprimables 0

Taille du fichier 6646 Ko

Informations sur l'accessibilité

EAN EPUB

9780199831241

Prix

22,99 €

Nb pages copiables 0

Nb pages imprimables 0

Taille du fichier 5233 Ko

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Auteur(s) du livre

Paul Arthur

David E. James

Michele Pierson

Michele Pierson is on the faculty of the Film Studies Department at King's College London. She is the author of Special Effects: Still in Search of Wonder. David E. James is on the faculty of the School of Cinematic Arts at the University of Southern California. He is the author of Allegories of Cinema: American Film in the Sixties and The Most Typical Avant-Garde: History and Geography of Minor Cinemas in Los Angeles. Paul Arthur was Professor of English and Film Studies at Montclair State University. He is the author of Line Of Sight: American Avant-Garde Film Since 1965.

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