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Tristan Corbière is often viewed as the archetypal poète maudit, a misunderstood rebel and bohemian prankster. This is a study of the poet's innovative use of language. It uses the critical tool of irony to analyse his idiosyncratic verse, showing how he contributed to...
From the late sixteenth to the late seventeenth centuries, French writing is especially concerned with analysing human nature. The ancient ethical vision of man's nature and goal (we achieve fulfilment by living our lives according to reason, the highest and noblest...
In the last twenty years the concept of the quotidien, or the everyday, has been prominent in contemporary French culture and in British and American cultural studies. This book provides the first comprehensive analytical survey of the whole field of approaches to the...
Some of medieval culture's most arresting images and stories inextricably associate love and death. Thus the troubadour Jaufre Rudel dies in the arms of the countess of Tripoli, having loved her from afar without ever having seen her. Or in Marie de France's Chevrefoil,...
In this lucid and innovative volume, three distinguished scholars trace this history of French literature from its beginnings to the present day. From the oral, unstable anonymous works of the early Middle Ages via the emergence of a print culture in the Renaissance,...
English is the 'second language' of A la recherche du temps perdu. Although much has been written about Proust's debt toEnglish literature, especially Ruskin, Daniel Karlin is the first critic to focus on his knowledge of the language itself - on vocabulary, idiom, and...
Athens in Paris explores the ways in which the writings of the ancient Greeks played a decisive part in shaping the intellectual projects of structuralism and post-structuralism - arguably the most significant currents of thought of the post-war era. Miriam Leonard...
Antonin Artaud (1896-1948), perhaps best known as a dramatic theorist, is an important but extremely difficult writer. This book studies the development of his thinking, from the early texts of the 1920s through to the acclaimed but lesser known 1940s writings, on such...
Were it not for the Marquis de Sade's explicit use of language and complete disregard for the artificially constructed taboos of a religious morality he despised, the novelty and profundity of his thought, and above all, its fundamental modernity, would have long since...
Henri Michaux is widely recognized as a major twentieth-century French poet and painter. Although his fascination with universal languages has attracted the attention of several of his critics, it has up until now been treated as a marginal concern.Henri Michaux:...
This book is one of the first studies of twentieth-century travel literature in French, tracking the form from the colonial past to the postcolonial present. Whereas most recent explorations of travel literature have addressed English-language material, Forsdick's study...
Why did people argue about curiosity in France, Germany, and elsewhere in Europe between the sixteenth and the eighteenth centuries, so much more than today?Why was curiosity a fashionable topic in early modern conduct manuals, university dissertations, scientific...
Balzac's reputation is as a novelist. But short stories make up over half La Comédie humaine, besides scores of other tales and articles. Short forms appear early inBalzac's output, and shape his work throughout his career.Balzac's Shorter Fictions looks at the whole of...
La Dame aux Camelias still has the power to cast the spell that has fascinated generations of readers. Dumas's marvellously beautiful, intelligent, and vibrant heroine lives on in revivals of the stage version, in film and television adaptations, and inLa Traviata,...
The Charterhouse of Parma (1839) is a compelling novel of passion and daring, of prisons and heroic escape, of political chicanery and sublime personal courage. Set at the beginning of the nineteenth century, amidst the golden landscapes of northern Italy, it traces the...
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