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Christina Fuhrmann is a Professor in the Department of Music at Ashland University, Ohio. Her publications include articles in Nineteenth-Century Music Review and Gender, Sexuality and Early Music and a volume on Romanticism and Opera. Her critical edition of Henry Bishop's adaptation of The Marriage of Figaro was published in 2012.
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Foreign Opera at the London Playhouses

Christina Fuhrmann


Cambridge University Press

2015-09-24

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In the early nineteenth century over forty operas by foreign composers, including Mozart, Rossini, Weber and Bellini, were adapted for London playhouses, often appearing in drastically altered form. Such changes have been denigrated as 'mutilations'....

39,40

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