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'Why does he write those ghastly plays that the whole of Paris flocks to see? And why does he paint such lifelike portraits that everyone recognizes themselves?' Moliere, The Impromptu at Versailles This volume brings together four of Moliere's greatest verse...
The Blunderer is generally believed to have been first acted at Lyons in 1653, whilst Molière and his troupe were in the provinces. In the month of November 1658 it was played for the first time in Paris, where it obtained a great and well-deserved success. It is...
The School for Husbands was the first play in the title of which the word School was employed, to imply that, over and above the intention of amusing, the author designed to convey a special lesson to his hearers. Perhaps Molière wished not only that the general public...
Molière began in The Pretentious Young Ladies to paint men and women as they are; to make living characters and existing manners the ground-work of his plays. From that time he abandoned all imitation of Italian or Spanish imbroglios and intrigues.
MADAME PERNELLE and FLIPOTTE, her servant; ELMIRE, MARIANE, CLEANTE, DAMIS, DORINE
Who goes there? Eh? My fear grows with every step. Gentlemen, I am a friend to all the world. Ah! What unparalleled boldness, to be out at this hour! My master is crowned with fame, but what a villainous trick he plays me here! What? If he had any love for his...
The Love-tiff (Le Dépit-amoureux) is composed of two pieces joined together.The first and longest is a comparatively modest imitation of a very coarse and indecent Italian comedy, L'Interesse, by Signer Nicolo Secchi; its intrigue depends chiefly on the substitution of...
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